Zoological Institute RAS, 1 Universitetskaya emb., St. Petersburg, 199034, Russia [g_baryshnikov@mail.ru]
Department of Geosciences and Geography, P. O. Box 64, 00014 University of Helsinki, Finland
[diana.pushkina@gmail.com]
Abstract. The Bukhtarma cave site in the southern part of Altai Mountains makes it possible to trace faunal and environmental changes at the junction of forest, steppe and arid communities of Siberia and Central Asia. A series of AMS-radiocarbon dates revealed two levels of the bone accumulation: the Late Pleistocene (MIS3) and the Holocene. The Late Pleistocene large mammal fauna is represented by 10 species belonging to the southern version of the Mammuthus-Coelodonta faunal complex with predominant tundra-steppe and forest-steppe species (mammoth,
woolly rhinoceros, wild horse, steppe bison, and saiga). The southern Mammuthus-Coelodonta faunal complex also includes representatives of steppes and semi-deserts (cave hyena, kulan, Knobloch’s camel) and forests (Siberian roe deer, red deer). The Holocene mammal fauna consists of 12 species, most of which are forest dwellers (European beaver, brown bear, Asian badger, Siberian roe deer, red deer). A mountain dweller (argali) is also present. The remains of birds belong to 40 taxa, among which semi-aquatic, steppe and forest-steppe species are predominant. Taphonomic and zooarchaeological analyses reveal that during the early stages of the formation of the bone accumulation, the Bukhtarma Cave was a den of cave hyenas, which was also visited by small groups of hominins, who left cut marks on the bones of the ungulates they killed (mainly bison). The stone artifacts belong to the Upper Paleolithic.
Keywords: mammals, birds, Late Pleistocene, Holocene, Paleolithic, Altai, Kazakhstan.
Received 04.06.2024, revised 10.06.2024, accepted 12.06.2024
DOI: 10.31600/2658-3925-2024-1-41-76
For citation: Baryshnikov G. F., Panteleyev A. V., Pushkina D. Fauna of the Bukhtarma cave site in Eastern Kazakhstan. Prehistoric Archaeology. Journal of Interdisciplinary Studies. 2024 (1), 41–76 (in Russ.). DOI: 10.31600/2658-3925-2024-1-41-76
References
Almasy L. 1936. Recentes explorations dans le Desert Libyque. Cairo: E. & R. Schindler.
Anati E. 1968. Rock-Art in Central Arabia. Vol. 1. The ‘Oval-headed’ People of Arabia. Louvain: Institut Orientaliste.
Bajpakov K. M., Mar’jashev A. N., Potapov S. A., Gorjachev A. A. 2005. Petroglify v gorah Eshkiol’mes [Petroglyphs of the Eshkiol’mes Mountains]. Almaty: ≪OST-XXI vek≫ Publ. (in Russian).
Barrow J. 1801. An Account of Travels into the Interior of Southern Africa, in Years 1797 and 1798. Vol. 1. London: T. Cadell and W. Davies.
Barrow J. 1806. An Account of a journey to Leetakoo, the residence of the chief of Booshuana nation, being the remotest point in the interior of Southern Africa to which Europeans have hitherto penetrated. In: Barrow J. A Voyage to Cochinchina in the Years of 1792 and 1793. London: T. Cadell and W. Davies, 361–437.
Berger F. 1994. Arrows in bandeaux. Pictogram 6 (2), 26–31.
Blasco C. 2005. Arte levantino y mundo animal. Cuadernos de Arte Rupestre 2, 59–80.
Bosc-Zanardo B., Bon F., Fauvelle-Aymar F.-X. 2008. Bushmen arrows and their recent history: crossed outlooks of historical, ethnological and archaeological sources). In: Petillon J.-M., Dias-Meirinho M.-H., Cattelain P., Honegger M., Normand C., Valdeyron N. (eds.). Projectile weapon elements from the Upper Palaeolithic to the Neolithic (Acts of Colloque C83, XVth UISPP Congress, Lisbon, September 2006). Palethnologie 1, 341–360.
Brass M. 2018. Early North African cattle domestication and its ecological setting: a reassessment.
Journal of World Prehistory 31, 81–115.
Brooke Somons Ph. 1998. The Life and Work of Charles Bell. Vlaeberg: Fernwood Press.
Campbell C. 1986. Images of war: a problem in San rock art research. World Archaeology 18, 255–268.
Claudius Claudianus. 2008. Polnoe sobranie latinskih sochinenij [Complete Set of Works]. Translated from Latin. St. Petersburg.: ≪Izd-vo Sankt-Peterburgskogo un-ta≫ Publ. (in Russian).
Daniell S. 1804. African Scenery and Animals at the Cape of Good Hope. London.
Gasprarov M. (comp.). 1982. Pozdnjaja latinskaja pojezija [Late Latin Poetry]. Translated from Latin. Moscow: ≪Hudozhestvennaja literatura≫ Publ. (in Russian).
Jung M. 1991. Bronze Age rock pictures in North Yemen. East and West 41, 47–78.
Kubarev V. D., Cjevjejendorzh D., Jakobson Je. 2005. Petroglify Tsagaan-Salaa i Baga-Ojnura (Mongol’skij Altay) [Petroglyphs of Tsagaan-Salaa and Baga-Ojnur (Mongolian Altay)]. Novosibirsk: ≪IAET SO RAN≫ Publ. (in Russian).
Leakey M. 1983. Africa’s Vanishing Art. The Rock Paintings of Tanzania. London: Hamilton.
Le Quellec J.-L., Fauvelle F.-X., Bon F. 2015. Cattle Theft in Christol Cave. A Critical History of a Rock Image in South Africa. St-Benoist-sur-Mer: Traces.
Lopez-Montalvo E. 2015. Violence in Neolithic Iberia: new readings of Levantine rock art. Antiquity 89, 309–327.
Lucian of Samosata. 2001. O pljaske [On dancing]. In: Lukian of Samosata. Sochinenija. Translated from Greek. T. 2. St. Petersburg: ≪Aletejja≫ Publ., 30–48 (in Russian).
Muller-Karpe A. 2002. Der Krieg als Bildmotiv in der prahistorischen Kunst Nordafrikas. Kleine Schriften aus dem Vorgeschichtlichen Seminar Marburg 52, 23–30.
Nash J. 2005. Assessing rank and warfare-strategy in prehistoric hunter-gatherer society: a study of representational warrior figures in rock-art from the Spanish Levant, southeastern Spain. In: Pearson M. P., Thorpe I. J. N. (eds.). Warfare, Violence and Slavery in Prehistory: Proceedings of a Prehistoric Society Conference at Sheffield University. (BAR IS1374). Oxford: Archaeopress, 75–87.
Neuayer E. 1993. Lines on Stone. The Prehistoric Rock Art of India. New Delhi: Manohar.
Ouzman S. 2003. Indigenous images of a colonial exotic: imaginings from Bushman southern Africa. Before Farming 1 (6).
Pigafetta A. 1950. Puteshestvie Magellana [Magelllan’s Voyage]. Translated from Italian. Moscow: ≪Gosudarstvennoe izdatelstvo geograficheskoj literatury≫ Publ. (in Russian).
Porcar J. B. 1953. Las pinturas rupestres del barranco de Les Dogues. Archivo de Prehistoria Levantina IV: 75–80.
Rosenthal E., Goodwin A. J. H. 1953. Cave Artists of South Africa. Cape Town: A. A. Balkema.
Ruiz Lopez J. F. 2007. Teatro de sombras. La modulacion espacial de las figuras en el arte rupestre levantino. Cuadernos de Arte Rupestre 4, 207–228.
Sinclair-Thomson B. 2021. Painted for war: rock art depictions of archers with arrow headdresses in the Eastern Cape, South Africa // Bettencourt A. M. S., Santos-Estevez M., Sampaio H. A. (eds.). Weapons and Tools in Rock Art: A World Perspective. Oxford: Oxbow Books, 161–172.
Sokolov A. M. 2014. Ajny: ot istokov do sovremennosti (Materialy k istorii stanovlenija ajnskogo jetnosa) [Ainu People: From Their Origins to Present Times (Materials on the History of the Formation of the Ainu Ethnos)]. St. Petersburg: ≪Peter the Great Museum of Anthropology and Ethnography≫ Publ. (in Russian).
Stow G. W. The Native Races of South Africa. London: Swan Sonnenschein & Co.; New York: The Macmillan Co. Stow G. W., Bleek D. F. 1930. Rock-Paintings in South Africa. London: Methuen & Co.
Tarakanov A. V. 2004. Naskal’noe iskusstvo Severnoj i Central’noj Indii [Rock art of Northern and Central India]. Ph. D. thesis. Kemerovo (in Russian).
Vinnicombe P. 1967. Rock-painting analysis. The South African Archaeological Bulletin 22 (88), 129–41.
Utrilla P., Martinez-Bea M. 2007. La figura humana en el arte levantino aragones. Cuadernos de Arte Rupestre 4, 163–205.
Willcox A. R. 1984. The Rock Art of Arrica. New York: Holmes & Meier Publishers.
Willcox A. R. 1988. Arrows in bandeaux. Pictogram 1 (3): 3–4.
Wood J. G. 1982. The Uncivilized Races of Men in All Countries of the World. Vol. 1. San Francisco: J. A. Brainerd & Company.
Woodhouse H. C. 1987. Inter- and intragroup aggression illustrated in the rock paintings of South Africa. Suid-Afrikaanse Tydskrif vir Etnologie 10 (1), 42–48.